Cinematic Arts Film Studies PhD candidate Hannah Bonner was recently published in a special edition of South Central Review: #MeToo, Moving Forward.

Platte has published a chapter on George Gershwin's musical contributions to Shall We Dance (1937) and A Damsel in Distress (1937) in The Cambridge Companion to Gershwin.

The schedule for the Fall 2019 Film Club will be The British Invasion: British Genre Cinema from Post-WWII to Present.

A short film by Michael Gibisser, assistant professor in the University of Iowa Department of Cinematic Arts, will have its world premiere Sept. 6 at the Toronto International Film Festival.

A thesis film made by Christopher Harris in 2000 is seeing a resurgence. The University of Iowa associate professor and his film, “still/here,” were featured this summer in a retrospective of black filmmaking at the Locarno International Film Festival in Switzerland.

Villarosa’s film The Real Thing is featured in the first issue of “The Analog Cookbook,” a film journal dedicated to analog cinematic arts.

Harris will have his award-winning, canonical film still/here (2000) screened as part of a retrospective program on the history of Black Cinema (Shades of Black) at the Locarno Film Festival in Switzerland this August.

Tabling for The Englert’s Strengthen, Grow, Evolve Campaign.